Brooklyn, NYC

Capturing Moments.
Creating Timeless Memories.

At Lumina Studio, we believe every moment tells a story worth preserving. Our passion for photography drives us to create timeless images that capture genuine emotions, meaningful connections, and life's most unforgettable moments. Whether it's a wedding, portrait session, corporate event, or commercial project, our team is committed to delivering exceptional quality with creativity and attention to detail.

5 National Awards
A studio portrait lit in warm tungsten — a young woman in profile against a deep charcoal seamless, soft fall-off on her shoulder, signature Lumina Studio lighting.
6years
Established in 2020
42+
Active brand clients
11K
Frames shot in 2025
94%
Repeat-client rate
Chapter 01

A studio that
treats each
frame as work.

Founded in 2020 and based in Brooklyn, NYC, Lumina Studio was established by a team of passionate photographers and creative professionals with a shared vision of capturing life's most meaningful moments. From intimate portraits and weddings to corporate events and commercial campaigns, we combine creativity, technical excellence, and attention to detail to deliver timeless images that tell every client's unique story.. The studio is small on purpose — a working group of seven people, one in-house retoucher, two long-time producers, and a roster of fifteen freelance assistants we trust enough to recommend without flinching.

We work slower than the rate card. The output looks faster than the rate card. — James Kantt

What that means in practice: we do fewer projects per quarter than most studios our size, we keep the same producer on a brand from the first call to the final delivery, and we ship a colour-managed gallery the day after the shoot — not the week after. Clients have called this "expensive when you book it, cheap when you ship it." That is, on reflection, exactly the right description.

What we do

Five disciplines.
One pair of hands.

Most studios pick a lane — fashion, food, architecture, product — and stay in it. We work across all five because the same lighting principles, the same colour discipline, and the same patience apply. The discipline is constant; the subject changes.

01 / Editorial

Cover stories
and long-form features.

Magazine covers, story-led portrait essays, location-driven editorial. We light for the page, not the contact sheet — every frame is chosen and lit knowing where it lands in the layout.

For TYPE · Gentlewoman · Cereal
02 / Campaign

Brand campaigns.

SS, FW, holiday — the full seasonal cadence with one continuous creative direction.

03 / Stills

Catalogue stills.

E-com pack-shots and elevated product still life, shipped retouched within 48 hours of capture.

A wide architectural interior — concrete columns and a tall window casting a long shadow on a polished concrete floor.
04 / Architecture

Spaces & interiors.

Buildings, hotels, retail, residential. Natural light first; supplement only when the architect would approve.

05 / Documentary

Process documentary.

Behind-the-bench, in-the-kiln, on-the-line — the work-of-making, told honestly.

06 / Motion

Stills + motion.

A second crew, the same direction. We bring our own DP for hybrid stills-and-motion days.

07 / Post

In-house retouching
and colour management.

Calibrated to GRACoL · ISO 12647 · Adobe RGB

How we work

From the first
call to the last frame.

A first call is twenty minutes and free, always with the producer who will run your project from start to finish. Most projects ship in three to six weeks; the bottleneck is almost never the shoot itself — it is the brief, the location lock, and the talent confirmation. We keep that gauntlet short by holding the kickoff in the first week, not the third.

  • Step 01Discovery — brief, references, light maps, mood
  • Step 02Pre-production — location, casting, props, talent
  • Step 03Shoot — 1 to 4 days, depending on scope
  • Step 04Selects — colour-managed within 24 hours
  • Step 05Retouch — in-house, 5 to 10 business days
  • Step 06Delivery — archive, contact sheets, print files
See full process & rates
A working set in the Lumina Studio — two stylists pinning a garment on a model while a photographer reviews tethered captures on a calibrated monitor. Day 02. Lisbon
The studios

Two rooms,
two grids, one team.

Visit the studios

A daylight photography studio with high ceilings, a single grey seamless rolled down, and a stylist arranging garments on a rack against the far wall. Brooklyn, NYC
Published in

Selected, 2023–25

TYPE Quarterly The Gentlewoman Cereal Magazine
Notes from the floor

The journal.

Short notes from the studio — sometimes a working note about a lighting setup, sometimes an opinion about colour management, sometimes a frame we kept thinking about long after delivery.


            <div class=Setup04 Oct 2025

Why we still use a 4×6 silk.

Soft does not have to mean flat. A working note about why a hard silk still beats a soft box for portrait work on a clear day.

Read note
A printed proof sheet next to a calibrated monitor, the proof showing a sequence of skin-tone patches under different studio lighting.
Processed02 Feb 2026

Calibration is the cheapest hire.

An argument for hiring your printer before you hire your retoucher. A note for studios scaling from solo into a working team.

Read note
A long contact sheet of medium-format frames hanging in the studio archive room, lit by a single warm bulb.
Archive09 Aug 2025

The third frame is usually the one.

From the Atrium SS25 shoot — why the third frame in any sequence almost always reads the best, and what to do about it.

Read note
Booking · 2026

Have a project
that deserves the
third frame?

We take on twenty to twenty-six campaigns a year, and we book three to five months ahead. If you have a brief brewing for Q2 or later, the right time to send a first note is now.